Had to miss one movie today because of something that came up at the last moment. I was really upset with the thought that I would be not scoring 35 movies this time as well, but then a friend said: "Make room for life" and that brought a smile on my face that erased all doubts. I will never regret missing one movie. And I think I will always remember this one line, when ever in doubt.
So, 19 movies in four days. Not a bad score at all. And the fours movies of today were all in the French language.
Two Days, One Night (Belgium/ 2014) by Jean-Pierre and Luc Dardenne: '12 Angry Men' meets 'The Bicycle Thief' in modern Belgium, with the impeccable Marion Cotillard as the protagonist. How a character apparently good only to evoke pity rises and unfolds into a tremendously admirable human. How a plot that does not have too many options and only one of two possible endings plays with the expectations of the audience. Writing text-book.
The Umbrellas of Cherbourg (France/ 1964) by Jacques Demy: Classics will be classics. Film will be film. This kind of a musical may not be palatable for many in the audience, but I loved it unconditionally. Had won top prize at Cannes and was nominated for five Oscars.
Party Girl (France/ 2014) by Marie Amachoukeli-Barsacq, Claire Burger, and Samuel Theis: Camera d'Or winner at Cannes this year, which is the award for Best Debut film for the director(s). Such well-developed characters, so effectively shot. Generated unanimous praise.
Life of Riley (France/ 2014) by Alain Resnais: Winner of FIPRESCI prize and Alfred Bauer (for opening 'new perspectives in cinematic art') award at Berlin this year. Last film by the legendary Alain Resnais.
So, 19 movies in four days. Not a bad score at all. And the fours movies of today were all in the French language.
Two Days, One Night (Belgium/ 2014) by Jean-Pierre and Luc Dardenne: '12 Angry Men' meets 'The Bicycle Thief' in modern Belgium, with the impeccable Marion Cotillard as the protagonist. How a character apparently good only to evoke pity rises and unfolds into a tremendously admirable human. How a plot that does not have too many options and only one of two possible endings plays with the expectations of the audience. Writing text-book.
The Umbrellas of Cherbourg (France/ 1964) by Jacques Demy: Classics will be classics. Film will be film. This kind of a musical may not be palatable for many in the audience, but I loved it unconditionally. Had won top prize at Cannes and was nominated for five Oscars.
Party Girl (France/ 2014) by Marie Amachoukeli-Barsacq, Claire Burger, and Samuel Theis: Camera d'Or winner at Cannes this year, which is the award for Best Debut film for the director(s). Such well-developed characters, so effectively shot. Generated unanimous praise.
Life of Riley (France/ 2014) by Alain Resnais: Winner of FIPRESCI prize and Alfred Bauer (for opening 'new perspectives in cinematic art') award at Berlin this year. Last film by the legendary Alain Resnais.
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